
Red Riding: The Year of Our Lord 1980
2009

Representation Score
Excellent
2009
Not RatedDirector
Julian Jarrold
Runtime
106 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Red Riding is a period thriller that dismantles authority and explores subjective morality. Using the 1970s backdrop, it examines queer identity and the conflict between individual identity and systemic structures. The film's strength lies in its critical examination of social hierarchies and institutional corruption. It goes beyond historical drama to explore how evolving sexual and gender dynamics challenge established norms. However, the narrative is limited by its geographic and temporal focus. The rural Yorkshire setting leads to a lack of racial and ethnic diversity, and there is no meaningful representation of disability within the central plot.
Category Breakdown
The film sets its story in the 1970s to highlight the tension between sexual liberation and traditional social norms. Intimacies between same-sex characters serve as a lens to explore these tensions.
The narrative examines the shifting power dynamics and the reversal of traditional gender roles during the sexual revolution. Characters navigate changing social freedoms and emphasize personal empowerment.
Set in rural Yorkshire, the film focuses on class and socioeconomic differences rather than ethnic diversity. It lacks significant evidence of racial or ethnic diversity due to its specific historical setting.
The story critiques Western institutions, particularly policing and parental authority. It portrays the breakdown of social order as a quest for liberation rather than just rebellion.
There is no significant evidence of characters with visible or invisible disabilities driving the narrative. The focus remains on class, sexual identity, and institutional corruption.
Present on Screen
Limited or Absent
Official Synopsis
Yorkshire, 1974. Fear, mistrust and institutionalised police corruption are running riot. Rookie journalist Eddie Dunford is determined to search for the truth in an increasingly complex maze of lies and deceit surrounding the police investigation into a series of child abductions. When young Clare Kemplay goes missing, Eddie and his colleague, Barry, persuade their editor to let them investigate links with two similar abductions that draw them into a deadly world of secrecy, intimidation, shocking revelations and police brutality.

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