
The Last Days of Lehman Brothers
2009

1998
Not RatedDirector
Michael Preece
Runtime
96 minutes
Average Rating
No ratings yetSynopsis
In the second of two Dallas reunion films, War of the Ewings follows Bobby and Sue Ellen Ewing two years after taking over control of Ewing Oil. Although J.R. is managing WestStar Oil, he wants to once again own his father's company. When he discovers that Ray Krebbs' land has undiscovered oil on it, he clashes with everyone — from Carter McKay to the Ewings — to get what he wants.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The narrative centers on traditional romantic and familial conflicts. There is no evidence of queer narratives or non-cisnormative identities within the story.
Gender Representation
Sue Ellen Ewing is a central figure, yet the plot remains driven by male competition for corporate control. Women operate within traditional gendered power dynamics.
Racial & Ethnic Diversity
The story focuses on the internal disputes of a historically homogeneous socio-economic group. It lacks significant racial intersectionality in its portrayal of land and oil rights.
Religious & Cultural Diversity
The film reinforces traditional Western values regarding capitalism and private property. It celebrates the economic legacy and resilience of the family unit.
Disability Representation
The synopsis provides no information regarding characters navigating physical, sensory, or neurodivergent experiences.
Strengths
Areas for Improvement
AI Analysis
Dallas: War of The Ewings functions as a legacy continuation that prioritizes established character archetypes and existing social hierarchies. The narrative architecture focuses on corporate power struggles and familial hegemony within the oil industry. The film adheres to traditional dramatic tropes, reinforcing Western institutional values like capitalism and private property. It lacks disruptive or intersectional perspectives, focusing instead on the preservation of the Ewing family's economic dominance. Because the plot revolves around established socio-economic groups and heteronormative family dynamics, it offers little in the way of progressive representation or diverse social perspectives.

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