You are here:
Dallas: War of The Ewings

Dallas: War of The Ewings

1998

Not Rated

Director

Michael Preece

Runtime

96 minutes

Average Rating

No ratings yet

Synopsis

In the second of two Dallas reunion films, War of the Ewings follows Bobby and Sue Ellen Ewing two years after taking over control of Ewing Oil. Although J.R. is managing WestStar Oil, he wants to once again own his father's company. When he discovers that Ray Krebbs' land has undiscovered oil on it, he clashes with everyone — from Carter McKay to the Ewings — to get what he wants.

Where to Watch

Diversity & Representation

Overall Score

3.2/10

Limited


Category Breakdown

LGBTQ+ Representation

Limited

The narrative centers on traditional romantic and familial conflicts. There is no evidence of queer narratives or non-cisnormative identities within the story.

Gender Representation

Fair

Sue Ellen Ewing is a central figure, yet the plot remains driven by male competition for corporate control. Women operate within traditional gendered power dynamics.

Racial & Ethnic Diversity

Limited

The story focuses on the internal disputes of a historically homogeneous socio-economic group. It lacks significant racial intersectionality in its portrayal of land and oil rights.

Religious & Cultural Diversity

Limited

The film reinforces traditional Western values regarding capitalism and private property. It celebrates the economic legacy and resilience of the family unit.

Disability Representation

Minimal

The synopsis provides no information regarding characters navigating physical, sensory, or neurodivergent experiences.

Strengths

  • Sue Ellen Ewing provides a central female presence within the high-stakes corporate power struggle.

Areas for Improvement

  • The narrative lacks racial intersectionality, focusing almost exclusively on a homogeneous socio-economic group.
  • The story reinforces traditional gendered power dynamics rather than deconstructing them.
  • There is a notable absence of LGBTQ+ representation or non-cisnormative identities.
  • The film lacks representation of characters with physical, sensory, or neurodivergent disabilities.

AI Analysis

Dallas: War of The Ewings functions as a legacy continuation that prioritizes established character archetypes and existing social hierarchies. The narrative architecture focuses on corporate power struggles and familial hegemony within the oil industry. The film adheres to traditional dramatic tropes, reinforcing Western institutional values like capitalism and private property. It lacks disruptive or intersectional perspectives, focusing instead on the preservation of the Ewing family's economic dominance. Because the plot revolves around established socio-economic groups and heteronormative family dynamics, it offers little in the way of progressive representation or diverse social perspectives.

How are these scores produced? →

Rate this Movie

No rating selected
Use arrow keys to select a rating from 1 to 5 stars
Optional text review, maximum 2000 characters
Tip: Wrap spoilers with ||double pipes|| to hide them
0/2000 characters
You must be signed in to submit a rating

Reviews

No reviews yet. Be the first to share your thoughts on this movie!

Use the rating form above to leave a star rating and optional review.