
The Last Days of Lehman Brothers
2009

Representation Score
Fair
2003
Director
Penelope Spheeris
Runtime
100 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film serves as a satirical critique of corporate greed, emphasizing systemic issues rather than demographic diversity. While it effectively challenges the morality of the American Dream, it falls short in representing a wide range of human identities. Its strength lies in its critique of capitalism, but it remains centered on a homogeneous, male-dominated, and white-centric view of the corporate world.
Category Breakdown
The film does not feature any identifiable LGBTQ+ characters or storylines. The corporate environment remains focused on straight relationships without exploring diverse gender identities.
The story emphasizes a male-dominated structure where men drive the plot. Women are shown mostly in supporting or administrative roles, reflecting traditional gender norms.
The cast is predominantly white and represents the upper echelons of the Houston energy sector. There is no multi-layered casting or diverse representation.
The film sharply critiques Western institutions and unregulated capitalism. It portrays the pursuit of extreme wealth as corrupt and predatory.
The film does not represent physical, sensory, or neurodivergent identities. The story focuses solely on the socioeconomic and ethical dimensions of corporate fraud.
Present on Screen
Limited or Absent
Official Synopsis
Brian Cruver, an ambitious 26-year-old lands a job at Enron. As he assimilates to the company's get-rich-quick mantra, spending sprees and wild corporate "gatherings" become the norm. But when Enron files for bankruptcy, Cruver discovers he's just a pawn in a failing game of corporate greed--one that made the rich richer...while the rest lost everything.

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