
Cemetery of Lost Souls
2020

Representation Score
Fair
2019
Director
Andrea Bussmann
Runtime
70 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Fausto is a nuanced deconstruction of colonial knowledge systems that effectively counters Western dominance over folklore. By integrating the Faustian myth into the Oaxacan coastline, the film prioritizes a localized, mystical reality over empirical thinking. The film’s greatest strength lies in its authentic representation of indigenous and mixed-race cultures. It reclaims the landscape from colonial narratives by presenting indigenous cosmology as a lived reality rather than a marginal element. However, the film misses opportunities to engage with other progressive themes. It doesn’t explicitly focus on LGBTQ+ identities or challenge traditional gender roles to empower female characters.
Category Breakdown
The film doesn't focus on LGBTQ+ identities or challenge the assumption that everyone is straight. Shapeshifting adds a sense of fluidity, but LGBTQ+ characters aren't highlighted.
The story focuses on a child’s perspective and community experiences without challenging traditional gender roles. Female characters aren’t given much power or ability to act.
The film features a predominantly indigenous and mixed-race cast, avoiding whitewashing by emphasizing the indigenous worldview as the central reality of the Oaxacan landscape.
The film provides a strong critique of Western institutions and capitalism, favoring local spiritual practices and folk traditions over imposed Western religious and rationalist orders.
There are no prominent depictions of visible or invisible disabilities that play a central role in the story.
Present on Screen
Limited or Absent
Official Synopsis
On the Oaxacan coast of Mexico, rumblings of previous times are never far from the surface. Tales of shapeshifting, telepathy and dealings with the Devil are embedded in the colonization and enslavement of the Americas. Characters from the Faust legend mingle with the inhabitants, while attempting to colonize and control nature through a seemingly never-ending building project. Through literature, myth and local entanglements, the frontier between reality and fiction, and the seen and unseen, no longer apply.

2020

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