You are here:

Move

Name: Move
Director: Dietrich Brüggemann
Released: 2012
Duration: 118 min

Representation Score

4.8/10

Fair

2012

Director

Dietrich Brüggemann

Runtime

118 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Move (2012) serves as a character study of a generation marked by transience. It dismantles traditional life milestones such as marriage or homeownership, substituting them with a focus on fluid social networks. However, the film lacks racial diversity, staying centered within a specific white European demographic. While it offers a nuanced exploration of identity and gendered vulnerability, it does not represent physical or neurodivergent disabilities. Ultimately, the film portrays urban alienation through shifting friendships rather than traditional societal structures.

Watch this, not that →

Category Breakdown

Does Move have LGBTQ+ representation?

Fair

The film delves into the protagonist's journey of discovering their sexual identity and self-discovery. It presents identity as a flexible process rather than a fixed state, challenging the idea that everyone is straight or cisgender.

How does Move portray gender?

Fair

The ensemble structure avoids rigid gender hierarchies by emphasizing interpersonal relationships and shared vulnerability over traditional masculine leadership.

How racially and ethnically diverse is Move?

Limited

The cast is primarily composed of white actors from European backgrounds, reflecting the specific social circles in Berlin. It does not significantly include non-Anglo-Saxon actors to challenge demographic norms.

How does Move represent religion and culture?

Good

The film questions traditional Western stability by highlighting transient social connections over permanent institutions. It depicts a postmodern existence characterized by constant movement and change.

Does Move include disability representation?

Minimal

There is no portrayal of specific physical or neurodivergent character arcs with real depth. The film focuses on psychological isolation and the struggle for belonging.

Present on Screen

Challenges traditional life trajectories and social stability.
Explores identity and sexual orientation as flexible, ongoing processes.
Highlights emotional intelligence and communal relationships over rigid hierarchies.

Limited or Absent

Lacks significant racial and ethnic diversity within the cast.
Does not include visible representation of physical or neurodivergent disabilities.
Focuses on a specific white European demographic.

Official Synopsis

Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

How are these scores produced? →