The narrative enforces a strictly heteronormative framework with no queer characters or subtext. Romantic dynamics rely on traditional male-female pairings, completely excluding LGBTQ+ visibility or critique of normative structures.

Li Bingbing’s lead role remains passive, fitting the horror 'damsel' archetype. Male characters drive the action and authority, reinforcing traditional hierarchies where masculinity equals competence and femininity equals vulnerability.

The Sino-Australian cast offers visible Asian representation in leading roles, disrupting historical exclusion. However, Western protagonists drive the primary action, leaving Asian characters as ensemble members lacking deep cultural agency.

Ancient Chinese mythology serves as exotic horror rather than nuanced cultural exploration. The film frames Eastern heritage through orientalist tropes of mystery and threat, reinforcing a binary where Western characters must survive non-Western dangers.

No characters display visible or invisible disabilities, neurodivergence, or chronic illness. The narrative ignores disability themes entirely, reflecting a complete lack of engagement with diverse physical or mental experiences.