The story focuses almost entirely on heteronormative male friendships. There is a lack of non-cisnormative identities or same-sex intimacy within the main character arcs.

The film is heavily male-centric, with agency concentrated in the protagonists. Female characters remain peripheral and lack the narrative agency to challenge established gender hierarchies.

The cast is predominantly white, reflecting a homogeneous demographic. The narrative lacks intersectional depth or intentional racial blending within its central characters.

The film embraces moral relativism and deconstructs institutional authority. It prioritizes subjective reality and a secular worldview over traditional social or religious structures.

Altered consciousness is used as a plot device for cosmic horror rather than a nuanced depiction of disability. Characters' sensory shifts serve the surrealist aesthetic.