
Death Nurse 2
1988

Representation Score
Fair
1987
Director
Nick Millard
Runtime
61 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Cemetery Sisters is a genre-bending exploitation film that finds its strength in subverting traditional gender power dynamics. By positioning its female leads as the primary architects of crime, it avoids the typical submissive clichés found in 1980s thrillers. However, the film is limited by the era's casting norms, resulting in a lack of racial and LGBTQ+ breadth. The narrative remains centered on a homogeneous, straight-centered framework, even as it deconstructs the sanctity of marriage. Ultimately, the film's impact relies on its anti-institutional themes and the ability to act of its female protagonists rather than a broad spectrum of identity representation.
Category Breakdown
The film does not depict any LGBTQ+ identities or non-straight relationships. It focuses solely on heterosexual marriages.
The story challenges traditional gender roles by centering two women who use marriage for financial gain. These female characters have strategic control over their male counterparts.
The film follows standard 1987 casting conventions, resulting in a homogeneous cast with no evidence of diversity or non-white actors.
The narrative offers a cynical critique of Western institutions such as marriage and the nuclear family, framing these as predatory economic transactions.
There is no evidence of characters with physical or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Joan and Leslie want to raise the money to buy their own cemetery. They decide to do so by marrying men and killing them for their money.

1988

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