The film contains no discernible LGBTQ+ characters or non-heteronormative narrative arcs. Character dynamics focus entirely on traditional interpersonal relationships.

While Sarah Lind drives the initial discovery, the central spiritual conflict is heavily mediated through male characters. The film utilizes conventional gender roles common to supernatural horror.

The production features a primarily white, Western cast. There is a lack of meaningful intersectional representation or diverse central figures.

The narrative is deeply embedded in Western religious institutions, specifically the Catholic Church. It operates within established religious horror frameworks rather than critiquing authority.

There are no prominent depictions of visible or invisible disabilities or neurodivergence. Character struggles are framed through supernatural possession rather than human disability.