You are here:

Connected: An Autoblogography About Love, Death & Technology

Name: Connected: An Autoblogography About Love, Death & Technology
Director: Tiffany Shlain
Released: 2011
Duration: 82 min

Representation Score

8.1/10

Excellent

2011

Director

Tiffany Shlain

Runtime

82 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Tiffany Shlain’s documentary shifts the technological documentary genre away from detached, masculine-coded observation toward a subjective, emotional 'autoblogography.' By centering her own journey, she explores how digital connectivity reshapes human relationships and global structures. The film presents a postmodern, globalized worldview that challenges traditional institutional boundaries. It examines the profound interconnectedness of the modern era, moving beyond simple scientific observation. However, the film's focus on intellectual and technological evolution means it lacks deep engagement with specific identity-based politics. It does not provide significant representation for LGBTQ+ identities or disability-specific narratives.

Watch this, not that →

Category Breakdown

Does Connected: An Autoblogography About Love, Death & Technology have LGBTQ+ representation?

Fair

The film does not explicitly depict queer narratives or non-cisgender identities. It maintains a neutral stance that neither reinforces nor challenges heteronormativity.

How does Connected: An Autoblogography About Love, Death & Technology portray gender?

Good

The documentary centers a female perspective to explore global technological shifts. This approach disrupts the traditional male gaze by emphasizing emotional intelligence over purely mechanical progress.

How racially and ethnically diverse is Connected: An Autoblogography About Love, Death & Technology?

Fair

The film offers a globalized perspective by featuring various international thinkers and artists. However, it focuses more on intellectual exploration rather than examining systemic ethnic power dynamics.

How does Connected: An Autoblogography About Love, Death & Technology represent religion and culture?

Good

The narrative emphasizes a secular, interconnected worldview and digital consciousness. It critiques traditional Western structures by highlighting the decentralization of information.

Does Connected: An Autoblogography About Love, Death & Technology include disability representation?

Fair

The film does not specifically focus on visible or invisible disabilities. It explores human experience through technological and biological evolution rather than disability-centric themes.

Present on Screen

Centers a female, emotional perspective on technology, disrupting the traditional male gaze.
Offers a nuanced, globalized view through a diverse array of international thinkers.
Effectively explores postmodern themes like the decentralization of information and digital consciousness.

Limited or Absent

Lacks explicit representation or focus on LGBTQ+ identities and queer narratives.
Does not address disability as a central thematic element or human experience.
Focuses more on intellectual connectivity than on systemic racial or ethnic power dynamics.

Official Synopsis

Tiffany Shlain's documentary, Connected, explores the visible and invisible connections linking major issues of our time-the environment, consumption, population growth, technology, human rights, the global economy-while searching for her place in the world during a transformative time in her life. Employing a combination of animation and archival footage, Shlain constructs a chronological tour of Western modernization through the work of her late father, Leonard Shlain, a surgeon and best-selling author. Connected illuminates the beauty and tragedy of human endeavor while championing the importance of personal connectedness for understanding and coping with today's global conditions.

How are these scores produced? →