The film adheres to strict heteronormative structures. There is no presence of non-cisnormative identities or same-sex intimacy, focusing entirely on conventional male-female romantic dynamics.

The story prioritizes hyper-masculine boxing environments and male mentorship. While Bette Davis is a significant presence, female characters primarily serve as emotional catalysts rather than central plot drivers.

The cast is predominantly homogeneous, reflecting the white-centric social norms of 1937. There is a lack of characters of color in positions of agency.

The narrative focuses on personal moral struggles and redemption rather than systemic critique. It follows a traditional moral arc centered on overcoming individual flaws like alcoholism.

Physical tolls from boxing and substance abuse are used as plot devices for character development. There is no meaningful representation of neurodivergence or disability through a lens of agency.