The film maintains a neutral stance by avoiding specific depictions of sexual orientation or gender identity. It focuses instead on fluid, non-binary connections between humans and nature that transcend traditional heteronormative structures.

Men and women are presented in states of repose and ritualistic movement rather than through traditional power dynamics. This removes the active/passive dichotomy often found in gendered storytelling, achieving a sense of parity.

The film features a diverse array of human subjects from various ethnic backgrounds across multiple continents. This globalist casting avoids a Western-centric gaze, treating diverse bodies with dignity and agency.

By prioritizing primordial and spiritual imagery over organized religious institutions, the film promotes a universalist spirituality. This approach challenges Western institutionalism by framing human experience through interconnectedness.

The montage-based, poetic structure provides no clear evidence regarding the portrayal of specific disabilities. The focus remains on elemental movement and animal-human interaction.