
L'Animale
2018

Representation Score
Good
2021
Director
Caru Alves de Souza
Runtime
99 minutes
Average Rating
No ratings yetNew Showbiz Analysis
My Name Is Baghdad is a narrative of resistance that centers on a female-led social ecosystem. It successfully inverts traditional power structures by positioning women as the primary drivers of authority within the skating world. The film highlights the friction between progressive subcultures and entrenched social hierarchies. By framing the protagonists as defiant agents of change, it moves away from clichés of female passivity. While the setting implies a diverse and non-conformist atmosphere, specific details regarding LGBTQ+ characters and disability representation remain unconfirmed. The strength of the film lies in its structural challenge to masculine dominance.
Category Breakdown
The film's setting within the skater subculture suggests an atmosphere of non-conformity. While specific LGBTQ+ identities are not explicitly detailed, the environment inherently leans toward subverting traditional assumptions about relationships.
Women are the primary agents of authority in this narrative, calling the shots within the skating community. The film actively deconstructs patriarchal hierarchies by contrasting women's ability to drive the story with external machismo.
Set in São Paulo, the film utilizes a localized Brazilian context. This urban setting suggests a multi-ethnic cast reflective of the region's demographic complexity.
The narrative critiques traditional social structures and systemic oppression. By focusing on subculture over mainstream values, it prioritizes communal identity and resistance against established norms.
There is no specific evidence regarding the portrayal of physical or neurodivergent disabilities in this work.
Present on Screen
Limited or Absent
Official Synopsis
A film from the skater world of São Paulo, where it is women who call the shots. Bagdá is surrounded by self-confident role models in her family. However, outside on the streets, in the venues and clubs, the old machismo continues to dominate. Bagdá and her fellow comrades-in-arms confront it defiantly.

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