
El matrimonio es como el demonio
1967

Representation Score
Limited
1951
TV-PGDirector
Fernando Cortés
Average Rating
No ratings yetNew Showbiz Analysis
Recién casados... no molestar is a period piece that reinforces mid-century social norms. The story centers on a woman's disillusionment when her husband turns out to be a faithful, monogamous man rather than the notorious Don Juan she expected. While the film examines a woman's desires and actions within marriage, it does so through traditional gender stereotypes. The husband's character reinforces conventional masculine virtues of stability and moral integrity. Ultimately, the film offers little complexity in its portrayal of different identities and maintains traditional marital ideals and social hierarchies.
Category Breakdown
The film focuses solely on a heterosexual marital conflict and does not include any queer narratives or non-cisgender identities.
The plot explores a woman's role in dealing with marital expectations but relies on traditional stereotypes about male virility and female desire.
The film likely reflects the homogeneous demographic norms of 1951 Spanish-language cinema and does not show any diversity or non-Anglo-centric casting.
The narrative upholds traditional Western institutional values centered around the sanctity of marriage and the moral importance of the nuclear family.
There is no evidence of characters with visible or invisible disabilities within the film's narrative.
Present on Screen
Limited or Absent
Official Synopsis
Newly-married woman discovers that her husband's a virgin and not the notorious Don Juan that she'd heard rumors about, and their marriage almost collapses because he's faithful and monogamous and good.

1967

1965

1962

1949

1951

1941
1958

1950
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.