The film focuses almost exclusively on heteronormative Victorian social structures. There is no presence of LGBTQ+ characters or narratives engaging with queer identities.

The plot is driven by the masculine partnership of Holmes and Watson. While women like Madam HP show some autonomy, the narrative lacks significant female-driven agency.

The ensemble is predominantly white, reflecting the historical constraints of Victorian London. The film lacks significant racial intersectionality or diverse casting to disrupt the period's visual palette.

The story centers on the tension between rationalism and occultism. While the antagonist uses mystical frameworks, the film treats these as fraudulent rather than critiquing religious institutions.

There is no central depiction of physical or neurodivergent disabilities. Character eccentricities are present but are not framed through the lens of lived disability experience.