
Life Feels Good
2013

Representation Score
Excellent
1998
Director
Waris Hussein
Runtime
97 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film opens with the stark diagnosis of Brit’s brittle bones, a scene that sets the tone for a narrative where the body is both a site of pain and a source of identity. Waris Hussein’s 1997 drama, based on Firdaus Kanga’s autobiography, uses the Kotwal family’s disintegration to explore the intersection of disability, sexuality, and cultural identity in 1960s Mumbai. The sold meaning is one of resilience: Brit’s short stature and same-sex attraction are not obstacles to be overcome but integral parts of his selfhood. The film’s argument is tested by the family’s internal conflicts, particularly the father’s inability to accept his son’s difference. The ending, where the family is still fractured but Brit has found a sense of self, serves as the moral verdict: identity is not fixed by biology or tradition but is constructed through experience and acceptance. The camera loves Brit’s quiet defiance, and the last image suggests that his "happiness" is not a destination but a continuous negotiation with the world.
Category Breakdown
Brit’s same-sex attraction drives the plot without shame. Cyrus, a handsome lodger, catalyzes his awakening. The film treats this desire as a natural part of his maturation.
Dolly, the mother, anchors the family morally and accepts Brit unconditionally. Sam, the father, creates conflict through rigidity. The narrative relies on maternal endurance to stabilize the household.
The film centers the Parsee community in 1960s Mumbai, detailing their Persian origins. It critiques Anglophile identity and colonial legacy. Cultural conflict remains internal to the family, avoiding external tropes.
The family is caught between Western modernity and Indian tradition. The father’s turn to a witch doctor contrasts with the mother’s medical reliance. Identity remains tied to a nostalgic, colonial past.
Brit’s brittle bones are a lived reality, not a plot device. The film rejects inspiration porn, showing physical pain and social confusion. His agency in naming himself and navigating sexuality is highlighted.
Present on Screen
Limited or Absent
Official Synopsis
Waris Hussein’s acclaimed drama is based on the autobiography of Firdaus Kanga, who stars in the lead role of Brit, a young man born with brittle bone disease, which causes him to have never grown beyond four feet tall. The film follows his sexual awakening whilst his family simultaneously disintegrates all around him. An extremely moving drama confronting stereotypes around disability, sexuality and race, featuring a powerhouse performance from Kanga.

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