
Tull-Bom
1951

Representation Score
Limited
1946
Director
Börje Larsson
Runtime
92 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This 1946 comedy follows a typical mid-century narrative structure, focusing on personal professional stakes rather than social upheaval. The plot centers on a man's quest to recover a Buddha statue to secure his job. The film adheres closely to the social norms of its time. While it introduces non-Western objects, it does so within a conventional Swedish setting without deeper cultural exploration. Overall, the work lacks multi-layered depth, sticking to a traditional comedic structure that upholds the status quo.
Category Breakdown
The film does not include any LGBTQ+ characters or non-straight relationships. The main story centers around a male protagonist and a female supporting character.
Björn Norell drives the plot through his professional struggles. Although Ulla plays a significant role in retrieving the statue, her actions remain within a traditional context.
The story includes Buddha statues as key elements, bringing in non-Western artifacts. However, the cast seems to represent typical demographics of 1940s Sweden.
The story unfolds within a traditional Western framework, emphasizing professional stability and the recovery of property. It does not explore Western institutions critically.
No visible or hidden disabilities are mentioned or shown in the characters' stories.
Present on Screen
Limited or Absent
Official Synopsis
Björn Norell, a bookish assistant to an art dealer, is fired because of his inability to find the third of a trio of Buddha statues. In order to get his job back, Norell, goes on a hunt to find it in order to get his job back. Meanwhile, the art dealer has sent his daughter Ulla after him to retrieve the statue. Plot by Mattias Thuresson.

1951

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