
All's Well, Ends Well
1992

Representation Score
Limited
1993
Director
Wong Jing
Runtime
97 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Wong Jing’s comedy adheres to the social structures prevalent in 1990s Hong Kong. The film revolves around traditional family milestones, particularly a father’s desire to see his daughters married. Although the genre can allow for subversion of roles, the core premise supports conventional social harmony. The narrative emphasizes patriarchal control and traditional domestic stability over challenging broader social norms. Overall, the film serves as a cultural record of its time, focusing on regional identity and traditional values rather than diverse or non-traditional representation.
Category Breakdown
The film does not include characters with non-binary gender identities or stories that question the idea that everyone is straight. The plot centers on traditional romantic relationships and weddings.
The story is shaped by a patriarchal system where a father controls the lives and successes of his daughters. The setup emphasizes traditional gender roles within the home.
The movie features a predominantly Cantonese cast, reflecting the local film industry's makeup. It highlights the cultural identity specific to Hong Kong.
The storyline upholds Confucian principles emphasizing respect for elders and the importance of family unity. It prioritizes the stability of the family unit over questioning societal norms.
The film does not include characters with physical disabilities or neurodivergent conditions.
Present on Screen
Limited or Absent
Official Synopsis
A man wants to see his three daughters get married.

1992

2006

1987

1993

1994

1990

2003

2016
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.