
The Bees and the Birds
2018

2010
TV-GDirector
Jeremy Seifert
Runtime
53 minutes
Average Rating
No ratings yetSynopsis
Follow filmmaker Jeremy Seifert and his circle of friends as they dumpster dive in the back alleys and gated garbage receptacles of L.A.'s supermarkets. In the process they uncover thousands of dollars worth of good food and an ugly truth about waste in America: grocery stores know they are wasting and most refuse to do anything about it.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film follows a social circle of activists without explicitly detailing non-cisnormative identities. It avoids derogatory tropes but lacks overt queer representation.
Gender Representation
The narrative centers on a group of friends, suggesting a non-hierarchical social structure. However, there is no evidence of subverting traditional gender roles or power dynamics.
Racial & Ethnic Diversity
Set in the diverse landscape of Los Angeles, the film navigates urban spaces. Yet, the narrative lacks specific evidence of a non-white majority or intentional racial diversity.
Religious & Cultural Diversity
The documentary offers a strong critique of Western consumerism and capitalist structures. It frames dumpster diving as a way to challenge corporate authority and institutional waste.
Disability Representation
The film provides no documented evidence regarding the inclusion of characters with visible or invisible disabilities.
Strengths
Areas for Improvement
AI Analysis
Dive! is a documentary that prioritizes systemic critique over identity-based storytelling. Its primary strength lies in its cultural perspective, specifically its challenge to Western economic norms and corporate negligence regarding food waste. While the film operates within a diverse urban setting like Los Angeles, it lacks specific evidence of intersectional representation regarding race, gender, or LGBTQ+ identities. The social dynamics of the activist circle remain largely unexamined through these lenses. Ultimately, the film succeeds as a piece of social commentary on capitalism rather than a study of diverse human identities.

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