
Three Kilometres to the End of the World
2024

2017
Director
Alexandre Koberidze
Runtime
202 minutes
Average Rating
No ratings yetSynopsis
A young man leaves his village to go into the city to audition to enter a dance company. He then is involved in illegal activities such as boxing and sleeping with men for money. Unwillingly, he falls in love with a man and suddenly is accepted in and starts dancing in the company. But his life will turn upside down when his lover goes to war and he returns to his village.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film centers on the protagonist's sexual agency and emotional connections with men. It avoids tokenism by integrating his identity into his survival through sex work and his eventual romantic evolution.
Gender Representation
The narrative subverts traditional masculine archetypes by portraying a man in vulnerable, non-traditional roles. However, the story remains heavily focused on male-centric dynamics.
Racial & Ethnic Diversity
The production focuses on local Georgian identities and regional landscapes. It moves away from Western-centric norms to study specific cultural and ethnic identities.
Religious & Cultural Diversity
The film explores moral complexity through a protagonist navigating illegal activities and urban migration. It critiques traditional institutions and the instability caused by war.
Disability Representation
There is no explicit evidence regarding the portrayal of physical or neurodivergent disabilities within the narrative.
Strengths
Areas for Improvement
AI Analysis
Alexandre Koberidze’s drama is a gritty study of social realism that prioritizes the lived experiences of marginalized individuals. By centering the plot on a man navigating sex work, illegal boxing, and queer romance, the film disrupts conventional heteronormative and masculine expectations. The narrative succeeds in making identity a core component of character development rather than a peripheral subplot. It uses the protagonist's deviations from social norms to explore the intersections of economic necessity and emotional growth. While the film offers a sophisticated look at regional identity and moral relativism, it remains largely focused on male perspectives. The scope is narrow, primarily examining the impact of war and urban instability on a specific cultural landscape.

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2017

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