
Up Among the Stars
2018

2019
Director
Federico Veiroj
Runtime
75 minutes
Average Rating
No ratings yetSynopsis
Federico Veiroj’s fourth feature examines the many, often contradictory layers that make up one’s persona, in this case, a single dad and acclaimed artist who must learn to balance family with creativity.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film focuses on a male protagonist's psyche and his relationship with film history. It lacks explicit non-cisnormative identities, though its non-conformist thought patterns avoid traditional romantic tropes.
Gender Representation
The narrative disrupts gender hierarchies by prioritizing intellectual agency over domestic roles. It avoids traditional masculine archetypes, though it lacks significant female agency to drive the story forward.
Racial & Ethnic Diversity
Set in Madrid, the film reflects a relatively homogeneous urban environment. There is no evidence of significant racial blending or casting that disrupts Eurocentric norms.
Religious & Cultural Diversity
The film embraces postmodernism and secular, intellectualist values. It prioritizes aesthetic reflection and existential inquiry over religious or patriotic messaging, challenging traditional Western storytelling structures.
Disability Representation
There is no significant evidence regarding the portrayal of visible or invisible disabilities. The film lacks specific character arcs that address neurodivergence or mental health.
Strengths
Areas for Improvement
AI Analysis
Belmonte is an intellectual exercise that prioritizes philosophical abstraction over identity politics. Its strength lies in its postmodernist rejection of traditional narrative certainty and its deconstruction of cinematic form. However, the film lacks explicit demographic representation. It remains centered on a specific cultural milieu and a homogeneous urban setting, offering little in the way of racial or gender-based disruption. Ultimately, the work functions as a meditative study of an artist's internal life rather than a vehicle for social or systemic representation.

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