
Jalisco canta en Sevilla
1949

Representation Score
Limited
1960
NRDirector
George Sidney
Runtime
180 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Pepe embodies the typical 1960s Hollywood protagonist, prioritizing escapism and conventional storytelling. Although Cantinflas adds a non-Anglo lead, the film's perspective remains rooted in Hollywood traditions. The narrative upholds traditional social hierarchies, with gender roles adhering to conventional norms. While there is a moment of gender performance through drag, it serves as a comedic device rather than a deep exploration of identity.
Category Breakdown
Jack Lemmon performs in drag as Daphne, serving a comedic purpose rather than providing depth or a significant role in driving the story to the character.
The narrative focuses on the male protagonist, Pepe, while female characters such as Zsa Zsa Gabór mainly serve as objects of desire or support the male lead’s journey.
The film includes Mexican star Cantinflas, but the story revolves around 'fish out of water' clichés and a predominantly white cast centered on Western celebrity.
The film highlights mid-century American celebrity culture and the Hollywood studio system, emphasizing traditional social structures and Western escapism.
There are no prominent depictions of visible or invisible disabilities that drive the narrative or provide character's ability to drive the story.
Present on Screen
Limited or Absent
Official Synopsis
Mario "Cantinflas" Moreno is a hired hand, Pepe, employed on a ranch. A boozing Hollywood director buys a white stallion that belongs to Pepe's boss. Pepe, determined to get the horse back (as he considers it his family), decides to take off to Hollywood. There he meets film stars including Jimmy Durante, Frank Sinatra, Zsa Zsa Gabór, Bing Crosby, Maurice Chevalier and Jack Lemmon in drag as Daphne from Some Like It Hot. He is also surprised by things that were new in America at the time, such as automatic swinging doors. When he finally reaches the man who bought the horse, he is led to believe there is no hope of getting it back. However, the last scene shows both him and the stallion back at the ranch with several foals.

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