The film follows a conventional heteronormative structure. The central plot focuses on the romantic bond between Roger Smith and Victoria, offering no evidence of non-cisnormative identities.

Female characters are largely utilized as sexualized archetypes within a horror-comedy framework. While Victoria drives the plot, she functions more as a traditional damsel than a character disrupting masculine hierarchies.

The narrative focuses on biological mutations rather than ethnic or racial identity. There is no evidence of a diverse or intersectional cast driving the story forward.

The story explores social hierarchies and scientific authority through sci-fi escapism. While subhumanoids mirror labor exploitation, the film avoids explicit systemic or religious critiques.

Biological mutations serve as horror plot devices rather than nuanced explorations of disability. The subhumanoids' lack of emotion is framed through genre tension rather than lived experience.