The film lacks LGBTQ+ characters or explorations of non-heteronormative identities. Social dynamics center on a traditional peer group without queer subtext.

Lucy van Pelt displays agency and dominance through her campaign management. However, these roles remain rooted in traditional 1970s gendered archetypes and comedic bossiness.

The cast presents a homogeneous group typical of the era's animation standards. The setting lacks diverse racial or ethnic casting and intersectional depth.

Linus’s fixation on the Great Pumpkin serves as a character quirk rather than a critique of religion. The narrative adheres to traditional social structures.

There is no explicit representation of physical or neurodivergent disabilities. Character vulnerabilities like social anxiety are treated as universal franchise traits.