The film lacks any presence of non-cisnormative identities or same-sex intimacy. Character dynamics rely on heteronormative survivalist archetypes typical of 1970s adventure cinema.

Women are present but their agency is often limited by the need for protection. Leadership remains predominantly male-driven, reinforcing traditional masculine roles of authority.

The cast consists almost exclusively of white European actors. The depiction of indigenous inhabitants relies on primitive archetypes that reinforce colonialist distinctions between survivors and locals.

The narrative focuses on maintaining Western naval hierarchies rather than critiquing them. There is no significant engagement with secularism or the deconstruction of Western institutions.

The film centers on an able-bodied ideal necessary for the survivalist genre. No neurodivergent characters or individuals with disabilities are afforded agency or explored.