The film lacks any presence of non-cisnormative identities. It adheres strictly to the heteronormative standards of the late 1960s without subverting romantic tropes.

Agency is concentrated within a male-dominated group of adventurers. While a female character appears, her role remains secondary to the central male-driven plot.

The cast is predominantly white, reflecting the casting norms of the era. The Mexican setting serves as a backdrop rather than a space for deep character exploration.

The story offers a subtle critique of capitalist exploitation. Characters view prehistoric life as commodities, highlighting a tension between greed and the natural order.

There is no evidence of characters navigating visible or invisible disabilities within the narrative.