
Gulîstan, Land of Roses
2016

Representation Score
Good
2016
Director
Benedetta Argentieri, Claudio Jampaglia, Bruno Chiaravalloti
Runtime
69 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Our War diverges from typical military cinema by dismantling the traditional soldier archetype. It replaces state-sponsored patriotism with a complex web of ideological actors driven by systemic resistance. The film shifts the focus from traditional state actors to decentralized, internationalist participants. This approach challenges conventional hierarchies of power and nationality. By focusing on individuals who have rejected Western institutional structures, the documentary offers a unique perspective on global conflict shaped by identity and social restructuring.
Category Breakdown
The film's setting in Rojava presents a backdrop that challenges traditional Western gender and orientation hierarchies. Although romantic depictions of the protagonists are not central, the context itself subverts these norms.
The narrative overturns traditional portrayals of women as passive victims. It highlights female combatants and leaders who wield significant authority and play key roles in the movement.
The film breaks away from Anglo-centric clichés by focusing on a multi-ethnic, internationalist conflict. It emphasizes the blending of diverse global identities within a non-Western theater of war.
The film centers on ideological motivations rather than nationalistic duties. By profiling anti-capitalist activists, it frames the conflict through a lens of systemic resistance and decentralized autonomy.
There is no significant evidence regarding the portrayal of visible or invisible disabilities within the documentary's scope.
Present on Screen
Limited or Absent
Official Synopsis
Since 2013 more than 30,000 fighters from all over the world have joined the troops of the self-proclaimed Islamic State (Daesh) in Syria. Fighting against them as part of the YPO (Popular Protection Command) in Rojava—in the north of Syria and prevalently Kurdish—are some hundreds of Westerners. This is the story of three of them: a former American marine, an Italian anti capitalist activist, and a Swedish bodyguard.

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