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A Head for Business

Name: A Head for Business
Director: Guy-Philippe Bertin
Released: 2000
Duration: 92 min

Representation Score

3.3/10

Limited

2000

Director

Guy-Philippe Bertin

Runtime

92 minutes

Average Rating

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New Showbiz Analysis

A Head for Business functions primarily as a satirical critique of institutional corruption and the commodification of art. It succeeds in deconstructing the perceived integrity of Western financial systems through its depiction of systemic loopholes and corporate vulnerability. However, the film remains tethered to a traditional, homogeneous framework. The narrative architecture is heavily centered on male dominance and a Eurocentric social environment, offering little room for perspectives that reflect multiple aspects of identity. Ultimately, while the film offers sharp social commentary on capitalism, it lacks meaningful representation across most identity-based categories.

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Category Breakdown

Does A Head for Business have LGBTQ+ representation?

Limited

The film focuses on financial embezzlement and film production mechanics. There are no LGBTQ+ characters or critiques of the assumption that everyone is straight or cisgender.

How does A Head for Business portray gender?

Fair

The plot is driven by male characters, suggesting a hierarchy dominated by men's control over the story. The story lacks female characters with significant power to disrupt professional dynamics.

How racially and ethnically diverse is A Head for Business?

Limited

The setting involves French banking and Hollywood, suggesting a Eurocentric cast. The narrative lacks evidence of diverse casting or non-white characters driving the plot.

How does A Head for Business represent religion and culture?

Good

The film effectively critiques Western institutions and capitalist expansion. It uses satire to challenge the perceived morality and stability of global financial systems.

Does A Head for Business include disability representation?

Minimal

The narrative provides no information regarding the inclusion or portrayal of characters with physical, sensory, or neurodivergent disabilities.

Present on Screen

Provides a sharp satirical critique of Western financial institutions and capitalist expansion.
Challenges traditional notions of corporate responsibility and systemic stability.

Limited or Absent

Lacks significant representation of diverse racial and ethnic identities.
Fails to include LGBTQ+ characters or non-assuming gender matches what was assigned at birth identities.
The narrative is dominated by men's control over the story, lacking diverse gender perspectives.

Official Synopsis

A satirical examination of the transformation of a French investment bank into a Hollywood power broker, Le Sens des Affaires begins with a lowly bank clerk's embezzlement of $104 million francs (about $14 million dollars) to finance his screen adaptation of Chekhov's Three Sisters. The clerk, Gerard Dutillard, funnels bank funds into three fictional affiliates in a way that makes the bank's president, Jean-Francois de Roquemorel, legally responsible. Financial ruin seems a distinct possibility, but Dutillard has worked out a plan to make the system work in his favor, and soon enough his banking superiors are doing their best to salvage his film and make it marketable, prompting actual investors to fuel the production with cash.

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