The film adheres to conventional heteronormative frameworks typical of mid-2000s family adventure cinema. There is no discernible evidence of non-cisnormative gender identities or same-sex romantic arcs within the primary plot.

The film disrupts traditional domestic hierarchies by centering a 'found family' of children. Girls like Bo and Mosca operate with high agency in a high-stakes environment, avoiding submissive tropes.

The ensemble utilizes a diverse cast of street urchins to reflect a cosmopolitan Venice. While the narrative does not explicitly leverage racial identity, it avoids a strictly homogeneous presentation.

The story offers a nuanced critique of class stratification and challenges adult authority. It prioritizes chosen kinship over biological ties, though theft is framed as survival rather than political critique.

There is no prominent or meaningful depiction of physical, neurodivergent, or sensory disabilities. Characters are defined by socioeconomic status rather than disability-driven arcs.