You are here:

I Move, So I Am

Name: I Move, So I Am
Director: Gerrit van Dijk
Released: 1998
Duration: 8 min

Representation Score

1.6/10

Minimal

1998

Director

Gerrit van Dijk

Runtime

8 minutes

Average Rating

No ratings yet

New Showbiz Analysis

I Move, So I Am is a formalist exercise in experimental animation. It functions as a meta-narrative about the act of creation, tracing the progression from a single hand to the emergence of the animator. Because the film is an abstract, process-oriented work rather than a character-driven story, it lacks the social markers needed to assess identity-based roles. The low diversity score is a byproduct of the genre's focus on mechanics rather than social themes. Ultimately, the film avoids both the promotion of stereotypes and the active engagement with multiple aspects of identity due to its lack of dialogue and social conflict.

Watch this, not that →

Category Breakdown

Does I Move, So I Am have LGBTQ+ representation?

Minimal

The film focuses entirely on the mechanics of drawing and the evolution of form. Since it lacks interpersonal character dynamics, there are no romantic pairings or non-cisgender identities present.

How does I Move, So I Am portray gender?

Fair

The animator remains an abstract figure without specific gendered traits. While the film avoids reinforcing traditional patriarchal hierarchies, it does not actively depict gendered roles or subvert norms.

How racially and ethnically diverse is I Move, So I Am?

Minimal

The animation utilizes a minimalist style centered on anatomical components like hands and legs. There is no evidence of racialized casting or ethnic characterization within this universal illustrative focus.

How does I Move, So I Am represent religion and culture?

Fair

The work prioritizes a secular, process-oriented philosophy regarding the life within art. It occupies a space of artistic abstraction rather than engaging in explicit cultural or institutional commentary.

Does I Move, So I Am include disability representation?

Minimal

The animation focuses on the idealized movement of drawn forms. There are no visible or invisible disabilities portrayed within this abstract sequence.

Present on Screen

Avoids reinforcing traditional gender hierarchies or patriarchal leadership through its abstract approach.
Prioritizes a secular, process-oriented philosophy over rigid institutional frameworks.

Limited or Absent

Lacks the narrative infrastructure, such as characters or dialogue, to engage with social themes.
Does not provide representation for racial, ethnic, or disability-based identities.

Official Synopsis

In the beginning there was a hand, and this hand drew other hands, then shoulders, heads, legs and finally, the animator himself. Inspired by a wide range of works of art and styles of illustration, this is a film which is constantly reinventing itself in one continual motion - after all, to draw a "still life" would be like creating an image without life.

How are these scores produced? →