The film lacks any discernible presence of LGBTQ+ characters. Character dynamics remain strictly within the heteronormative frameworks typical of early 1990s mainstream comedy.

Female characters are largely relegated to secondary roles, often serving as romantic interests or plot catalysts. The film mocks individual macho posturing rather than dismantling broader gender hierarchies.

The cast is predominantly white, reflecting the demographic norms of the era. International settings are used as backdrops for visual gags rather than for nuanced character development.

Military and intelligence agencies are portrayed through a lens of incompetence and slapstick. This serves as a comedic device rather than a systemic critique of Western institutions.

There is no meaningful or agentic portrayal of physical or neurodivergent disabilities. Physical struggles are utilized strictly as slapstick humor and comedic plot devices.