
The Manhandlers
1974

Representation Score
Fair
1975
RDirector
Matt Cimber
Runtime
95 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Candy Tangerine Man stands out for its subversion of racial clichés, placing a Black protagonist in a position of significant power and ability to act. This disrupts the era's standard cinematic expectations regarding racial hierarchies. However, the film remains rooted in traditional gendered power dynamics and lacks any visible LGBTQ+ or disability representation. The narrative's strength lies in its skepticism toward social institutions and the performative nature of domestic stability. Ultimately, the film is a gritty crime drama that uses its protagonist's dual identity to challenge mid-century social decorum and the perceived morality of the nuclear family.
Category Breakdown
The film does not include any explicit LGBTQ+ characters or narratives. It focuses on traditional underworld hierarchies, providing minimal representation for non-straight identities.
The story operates within a patriarchal framework where the protagonist controls his workers. However, his dual identity as a suburban husband challenges the performative nature of traditional masculinity.
The film centers a Black protagonist who has significant power and influence. By showing him as a dominant force against the Mob and police, it disrupts typical 1970s racial hierarchies.
The story engages with moral relativism by framing legal institutions as obstacles. It presents a cynical view of middle-class respectability, treating suburban life as a mere mask for the protagonist.
There is no information regarding characters with physical, sensory, or neurodivergent disabilities in the narrative.
Present on Screen
Limited or Absent
Official Synopsis
Sunset Boulevard is a lucrative place to work for the Black Baron, a pimp with a distinctive red and yellow Rolls Royce and plenty of girls on his books. He don't take no mess from his girls, his madam or his competitors and viciously defends his patch. First, he clobbers the Mob who attempt to move in on his patch. Second, he tracks down one of his girls who runs off with a suitcase full of his cash. Third, he disposes of two policemen. But by now he knows his pimping days are numbered, so after a final explosive gun battle he switches to being his alter ego, mild-mannered businessman Ron who lives out in the leafy suburbs with an unsuspecting wife and family.

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