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I Feel in Love

Name: I Feel in Love
Director: Ertem Eğilmez
Released: 1985
Duration: 97 min

Representation Score

2.0/10

Limited

1985

Director

Ertem Eğilmez

Runtime

97 minutes

Average Rating

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New Showbiz Analysis

Ertem Eğilmez's romantic comedy adheres to the social and gender norms prevalent in 1985 Turkey. The film centers on a male protagonist's pursuit of a female love interest, emphasizing comedic elements over social critique. The narrative structure follows standard storytelling patterns, focusing on a male protagonist's pursuit of a female object of affection. This reinforces mid-80s clichés rather than challenging traditional hierarchies or multi-layered identities. Ultimately, the film captures a snapshot of its time, reflecting a homogeneous cultural perspective and conventional domestic dynamics without attempting to subvert traditional social structures.

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Category Breakdown

Does I Feel in Love have LGBTQ+ representation?

Minimal

The film focuses on a heterosexual relationship and does not include any non-cisgender identities or critiques of traditional marriage structures.

How does I Feel in Love portray gender?

Limited

The narrative follows conventional gender roles typical of the 1980s. The male protagonist drives the plot, while the female lead mainly serves as a catalyst for his actions.

How racially and ethnically diverse is I Feel in Love?

Fair

As a Turkish production, the film reflects its specific demographic setting. It presents a homogeneous cultural perspective without explicit racial conflicts.

How does I Feel in Love represent religion and culture?

Limited

The story engages with traditional social institutions like marriage and fidelity. It operates within a conventional social framework without critiquing local or religious norms.

Does I Feel in Love include disability representation?

Minimal

There are no characters with visible or invisible disabilities in the narrative.

Present on Screen

Authentic reflection of the 1985 Turkish demographic and cultural context.

Limited or Absent

Relies heavily on conventional gender roles where the female lead serves as a plot catalyst.
Lacks representation of LGBTQ+ identities or non-cisgender perspectives.
Does not challenge or deconstruct traditional social hierarchies or marital institutions.

Official Synopsis

Şakir is instantly infatuated with Sibel in a red dress whom he meets in the parking lot of the advertising agency where he works, and he is desperate to win this fascinating woman. But there is one obstacle; Şakir is married! Despite this, Şakir is determined to pursue Sibel and will try various ways to achieve his goal.

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