The film lacks prominent LGBTQ+ characters or explicit non-heteronormative identities. Interpersonal bonds are framed through traditional romantic lenses, leaving queer identities invisible within the ensemble.

Female characters like Teresa and Brenda possess high agency and participate in combat and strategy. They act as intellectual and physical equals to men, successfully subverting the damsel trope.

The ensemble features a diverse range of ethnic backgrounds, avoiding a homogeneous group. Characters like Minho provide a non-Anglo-Saxon presence within the core leadership of the Gladers.

The story critiques institutional power by framing the conflict as a struggle for autonomy against WCKD. It portrays established authority and systemic hegemony as inherently corrupt and oppressive.

Representation is tied to the 'Cranks,' who exhibit neurological and physical decay. These characters function mostly as environmental hazards rather than individuals with their own agency.