
Miami
2017

2001
RDirector
Gilles Paquet-Brenner
Runtime
105 minutes
Average Rating
No ratings yetSynopsis
Lucie, who works as a white-hot fashion model, exhibits a dominant, often controlling, "Type A" personality, whereas identical twin Marie consistently projects a backward, reserved, laconic and unassuming attitude. When Lucie receives a covetable French recording contract, a significant problem stands in her way: the inability to sing. Marie possesses the voice of an angel, however, and quickly jets off to Paris to stand in for her sister, unannounced - little realizing the dangerous and even violent string of consequences that she is igniting.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks explicit evidence of LGBTQ+ characters or narratives. The story focuses primarily on the psychological duality and competition between the twin protagonists.
Gender Representation
The narrative centers on female agency and the volatile psychological interplay between women. It subverts tropes by presenting a dominant female protagonist and a passive twin who drives the plot.
Racial & Ethnic Diversity
The cast appears homogeneous within the French fashion industry. The narrative focuses on a specific social stratum without mentioning diverse ethnic casting or non-white perspectives.
Religious & Cultural Diversity
The film explores identity instability and situational ethics through the lens of deception. It offers a critique of superficiality within high-status Western institutions like the fashion industry.
Disability Representation
There is no information available regarding the portrayal of physical, neurodivergent, or mental health disabilities in this work.
Strengths
Areas for Improvement
AI Analysis
Pretty Things is a character-driven drama that finds its strength in exploring female power dynamics. By centering the conflict on the psychological tension between two sisters, the film avoids traditional male-driven tropes and focuses on female ambition and identity. However, the film lacks intersectional breadth. The narrative remains largely confined to a homogeneous social circle, offering little visibility for LGBTQ+ identities or diverse racial and ethnic perspectives within its Parisian setting. Ultimately, while the film succeeds in deconstructing feminine personas, it operates within a narrow cultural scope that misses opportunities for broader representation.

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