The film offers no evidence of non-heteronormative identities. There are no narratives present that critique heteronormativity or explore queer experiences.

The story follows a standard survival horror structure. While female characters appear in high-stakes scenarios, they seem to default to traditional tropes of vulnerability.

As a South Korean production, the film features a non-Western cast. However, the narrative focuses on a homogeneous group with little evidence of intersectional blending.

The film adheres to horror genre conventions centered on survival. It lacks explicit critiques of social institutions, capitalism, or Western-centric norms.

No characters with visible or invisible disabilities are identified within the narrative or the available character details.