The film follows a traditional heteronormative structure. Roxanne Palmer acts as a conventional romantic interest, and there is no explicit depiction of queer identities or subtext.

The story centers on male protagonists, yet it subverts hyper-masculine tropes by presenting the leads as inept and farcical. Joan of Arc offers a moment of female agency through a comedic lens.

A historical collage approach disrupts a purely Anglo-centric view by bringing diverse figures into a shared space. While the main cast is homogeneous, the historical roster broadens the scope of greatness.

The film promotes a secular, radical optimism that values social cohesion over religious dogma. It challenges traditional institutions by prioritizing individual expression and subjective ethics over rigid historical authority.

Disability is not a narrative driver. The protagonists' intellectual shortcomings are used as comedic devices rather than being explored through the lens of neurodivergence or agency.