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Dark Stories 2: Tales from Beneath

Dark Stories 2: Tales from Beneath

2002

R

Director

Stuart McKenzie, Jonathan Brough, Neil Pardington, George Port, Robert Sarkies, Christine Parker

Runtime

85 minutes

Average Rating

No ratings yet

Synopsis

Compilation of six short films from New Zealand: Hinekaro Flames from the Heart Snap The Dig The Model Valley of the Stereos

Where to Watch

Diversity & Representation

Overall Score

0.0/10

Minimal

Category Breakdown

LGBTQ+ Representation

Minimal

There is no evidence of non-cisnormative identities or narratives critiquing heteronormativity. The film lacks specific LGBTQ+ characters or themes.

Gender Representation

Minimal

The anthology format offers potential for diverse perspectives, but female agency remains unverified. No data exists regarding the subversion of gender hierarchies.

Racial & Ethnic Diversity

Minimal

The film's New Zealand origins suggest potential Māori or Pasifika representation. However, the racial composition of the casts is not documented.

Religious & Cultural Diversity

Minimal

The thematic content of segments like 'Flames from the Heart' remains unexamined. It is unclear if the work engages with specific cultural critiques.

Disability Representation

Minimal

There is no documented evidence regarding the inclusion of neurodivergent characters. No individuals with physical disabilities are mentioned in the records.

Strengths

  • The anthology format provides a structural opportunity for multiple, varied perspectives across six different short films.

Areas for Improvement

  • A lack of verifiable character data and narrative detail prevents any assessment of diversity or representation.
  • The absence of specific casting information makes it impossible to confirm the inclusion of Māori or Pasifika identities.

AI Analysis

This horror anthology from New Zealand presents a significant data gap regarding its representational landscape. While the compilation of six distinct short films suggests a structural capacity for varied perspectives, the lack of character descriptions or narrative details prevents a meaningful assessment of identity-driven storytelling. Without specific information on casting or plot resolutions, it is impossible to determine if the work engages with diverse racial, gendered, or cultural perspectives. The current score reflects a total absence of confirmable data rather than a definitive statement on the film's values.

How are these scores produced? →

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