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Against the Wild II: Survive the Serengeti

Against the Wild II: Survive the Serengeti

2016

PG

Director

Richard Boddington

Runtime

91 minutes

Average Rating

No ratings yet

Synopsis

Two kids and their dog must use all their skills to survive in the African bush after a plane crash.

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Diversity & Representation

Overall Score

2.4/10

Limited


Category Breakdown

LGBTQ+ Representation

Minimal

The film lacks any evidence of non-heteronormative identities. The survivalist plot focuses entirely on children and a dog, offering no critique of heteronormativity.

Gender Representation

Fair

The presence of two children allows for potential gender diversity. However, the film lacks specific character arcs that subvert traditional gender hierarchies or roles.

Racial & Ethnic Diversity

Limited

While set in the Serengeti, the film does not confirm the use of diverse ethnic backgrounds. It risks following the Western explorer trope without high-agency characters of color.

Religious & Cultural Diversity

Limited

The narrative aligns with traditional Western adventure tropes centered on individual skill. There is no evidence of systemic critique or diverse cultural perspectives.

Disability Representation

Minimal

There is no indication that neurodivergence or physical disabilities are integrated into the story. No characters appear to be driven by these experiences.

Strengths

  • The survivalist plot provides a clear, focused adventure structure centered on resilience.

Areas for Improvement

  • The film lacks diverse casting and intersectional character development.
  • The narrative relies on traditional Western adventure tropes rather than subverting them.
  • There is no representation of LGBTQ+ identities or disability within the character arcs.

AI Analysis

Against the Wild II: Survive the Serengeti follows a conventional survivalist structure. The narrative prioritizes the 'man vs. nature' trope, focusing on physical competence and individual resilience rather than social or systemic power dynamics. The film adheres to traditional genre expectations, emphasizing survival in a foreign landscape. This approach lacks the intersectional storytelling or narrative subversion required to explore complex identity politics. Ultimately, the production functions as a standard adventure film. It relies on established tropes of competence and environmental struggle rather than progressive thematic elements or diverse casting.

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