
Tigre
2017

Representation Score
Good
2018
Director
André Gil Mata
Runtime
104 minutes
Average Rating
No ratings yetNew Showbiz Analysis
André Gil Mata’s *The Tree* is a surreal exploration that succeeds through formal experimentation rather than direct demographic representation. By avoiding traditional storytelling methods, the film critiques societal norms. It excels in its postmodern critique but falls short in representing specific groups due to a lack of explicit markers for LGBTQ+ identities, racial diversity, or disability.
Category Breakdown
The film uses a dreamlike, non-linear structure that avoids typical straight-centered storylines. Although it doesn't have clear LGBTQ+ symbols, the focus on silent connections allows for a flexible sense of identity.
The story breaks down traditional gender hierarchies by emphasizing emotional connections over masculine or feminine roles. Characters act as elemental symbols rather than fitting into conventional gender roles.
Information about the racial makeup of the cast is limited. The film avoids racial stereotypes but needs more visible roles for diverse characters to improve its score.
The film centers on a spiritual connection with nature rather than organized religion. Its structure challenges Western views of time and traditional logic.
There are no clear characters with visible or invisible disabilities. The film focuses on memory and the subconscious, allowing for subtle interpretations of neurodivergent experiences.
Present on Screen
Limited or Absent
Official Synopsis
A man, a child, two wars, a river, a tree. A man and a child meet under a tree on a river bank, sharing the same memory and a secret. They find in each other the serenity, the silence and the time they lost in the flowing water of the river.

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