The film operates within a traditional heteronormative framework. There are no narratives that critique heteronormativity or feature non-cisnormative identities.

Agency is concentrated in the male detective, following traditional gender hierarchies. While Satyabati is central to the protagonist, the film lacks subversion of masculine leadership.

The film focuses on a homogeneous Bengali experience. The post-WWII American military presence serves as a plot device rather than a deep critique of Western hegemony.

The narrative emphasizes the restoration of order through investigative deduction. It adheres to conventional social morality and existing institutional frameworks of the mid-20th century.

There is no significant evidence of characters with visible or invisible disabilities being afforded agency. The focus remains on the detective's cognitive and physical abilities.