The film lacks explicit LGBTQ+ character arcs or non-cisnormative identities. The narrative focuses on survival against biological threats, which typically prioritizes heteronormative drives within this genre.

A female-centric cast disrupts the traditional male protector trope. However, the focus on 'horny zombies' suggests the female body is treated as a site of conflict rather than a tool for subverting power dynamics.

As a Japanese production, the cast is predominantly homogeneous. The film operates within a localized cultural framework that does not prioritize intersectional racial blending or globalized demographics.

The story depicts a post-nuclear landscape where social order and state authority have collapsed. This creates a worldview centered on situational ethics and primal autonomy over traditional institutional stability.

There is no discernible evidence regarding the portrayal of physical or neurodivergent disabilities. The zombie condition serves as a biological metaphor for lost agency rather than a representation of lived disability.