
Retrograde
2022

Representation Score
Limited
2020
TV-MADirector
Greg Barker
Runtime
90 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Longest War avoids a strictly top-down, Western-centric military history by using a multi-vocal approach. It integrates Afghan perspectives and civilian experiences to provide a nuanced view of geopolitical engagement. While the film does not focus on identity politics in a traditional sense, its structural decision to elevate non-combatant and non-Western voices disrupts conventional historical clichés. However, the documentary lacks representation for LGBTQ+ identities and provides no specific evidence regarding disability representation, which limits its overall diversity score.
Category Breakdown
The documentary does not include any evidence of LGBTQ+ identities or narratives within its geopolitical focus.
By featuring families and journalists, the film broadens the traditional masculine-focused war narrative. This approach includes domestic and civilian perspectives alongside military officials.
The inclusion of Afghan officials and local witnesses provides a vital counter-perspective to Western-centric accounts. This allows for a more layered understanding of the conflict.
The film highlights moral complexity by presenting diverse perspectives from intelligence, military, and local officials. This challenges monolithic views of institutional success and patriotism.
There is no specific evidence to confirm the presence of subjects defined by visible or invisible disabilities, despite the common themes of war-related trauma.
Present on Screen
Limited or Absent
Official Synopsis
The human stories and drama behind America's involvement in Afghanistan, now the longest war in U.S. history. First-hand witnesses — ranging from U.S. intelligence operatives, to soldiers and their families, Afghan officials, journalists, top government and military officials — bring their experiences to life through emotional interviews.

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