The film lacks any evidence of non-cisnormative identities. The narrative focuses strictly on traditional father-son dynamics and archeological discovery.

Agency is concentrated in male characters, specifically the father and son. While a 'Goddess' is a central symbol, the driving action remains male-centric.

Indigenous populations appear as part of a lost civilization or as rescuers. However, they function more as atmospheric elements than complex, individualized characters.

The story follows a Western framework of discovery and individualistic adventure. It prioritizes a classic hero's journey through a colonial-era lens.

There are no visible or invisible disabilities portrayed as central to the character arcs or the plot progression.