You are here:

The All-Around Reduced Personality: Redupers

Name: The All-Around Reduced Personality: Redupers
Director: Helke Sander
Released: 1978
Duration: 98 min

Representation Score

5.8/10

Fair

1978

Director

Helke Sander

Runtime

98 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Helke Sander’s work is a crucial piece of feminist documentation that challenges traditional cinematic structures. By blending documentary and drama, the film elevates the life of a female freelancer to a central role. The film effectively disrupts traditional gender power dynamics. It replaces the conventional patriarchal viewpoint with a collective female perspective, although its focus is limited to the socio-economic context of West Germany. Ultimately, the film serves as a critique of both capitalist structures and the domestic expectations placed on women in a divided city.

Watch this, not that →

Category Breakdown

Does The All-Around Reduced Personality: Redupers have LGBTQ+ representation?

Fair

The film highlights a single mother and a group of women, focusing on non-traditional family structures that support alternative forms of kinship.

How does The All-Around Reduced Personality: Redupers portray gender?

Excellent

It disrupts typical domestic narratives by centering a professional freelance photographer and a women's photography group, which shifts the focus to collective female empowerment.

How racially and ethnically diverse is The All-Around Reduced Personality: Redupers?

Limited

The story is set in 1970s West Berlin and focuses on socio-economic issues within the middle class, rather than exploring the intersection of race and ethnicity.

How does The All-Around Reduced Personality: Redupers represent religion and culture?

Excellent

The film criticizes Western institutions by emphasizing the subjective experiences of freelancers over political power, highlighting the value of personal, lived realities.

Does The All-Around Reduced Personality: Redupers include disability representation?

Minimal

There is no indication of the portrayal of physical or neurodivergent disabilities in this work.

Present on Screen

Challenges traditional gender hierarchies by highlighting professional female empowerment.
Shifts the narrative focus to collective female perspectives.
Uses a women's photography group to provide a unique female viewpoint.
Criticizes institutional power in favor of personal, lived experiences.

Limited or Absent

Does not explicitly represent racial or ethnic diversity.
Focus remains heavily localized to the socio-economic context of West Germany.
Provides no visible representation of physical or neurodivergent disabilities.

Official Synopsis

Edda Chiemnyjewski, a freelance press photographer and single mother living in 1970s West Berlin, is confronted with the fact that "a cook has no time for affairs of state". She also fails to find a market for the project she has been working on with her women′s photography group that seeks to document the city. While from today′s perspective the city, which becomes one of the film′s protagonists, looks like post-war Berlin, little has actually changed as regards the precarious existence of free-lancers. With a heavy dose of self-irony Helke Sander, who also plays the leading role, tells of a divided life in a divided city.

How are these scores produced? →