The film lacks a central focus on LGBTQ+ identities. It treats queer themes as incidental elements of the 1960s counterculture rather than intentional narratives.

The documentary explores controversial, hyper-sexualized depictions of women through Crumb's art. However, interviews with the women in his life provide necessary agency and counter-perspectives.

The narrative focuses heavily on a white, underground art scene. It lacks significant intersectional breadth or a diverse range of racial and ethnic perspectives.

The film excels at deconstructing traditional Western values and the nuclear family. It critiques American consumerism and presents psychological non-conformity as a complex human phenomenon.

The documentary offers a nuanced portrayal of neurodivergence and mental health. It treats Crumb's obsessive tendencies as central to his identity rather than using them as mere plot devices.