
The Olympic Games, Amsterdam 1928
1928

Representation Score
Minimal
2017
Director
Adrian Wood
Runtime
170 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This documentary serves as a historical primary source, offering a glimpse into the early 20th-century Olympic movement. Since it is a restoration of archival footage, it inherently reflects the systemic exclusions and social hierarchies of 1912. The film lacks characters who reflect more than one aspect of diversity, as the original cinematography captures a period defined by Western-centric institutionalism. It functions as a chronological record rather than a platform for modern social commentary. Ultimately, the work reflects the limitations of its era, showcasing a world where gender, race, and identity were strictly governed by traditional, Eurocentric norms.
Category Breakdown
The 1912 archival footage does not show any non-cisgender identities or same-sex relationships, reflecting the era's lack of public visibility for LGBTQ+ individuals in sports.
Male athletes dominate the footage, reinforcing the era's strict gender roles. Women have little presence or influence in these physical spaces.
The athletic field is mostly Anglo-Saxon and European, reflecting a colonial and Eurocentric perspective. Some non-white athletes appear, but the overall composition lacks global diversity.
The film highlights Western sporting traditions and the establishment of modern Olympic ideals. It does not address non-Western critiques or diverse cultural perspectives.
The footage focuses solely on able-bodied competition as defined by 1912 standards. There is no representation of individuals with physical disabilities or neurodivergence.
Present on Screen
Limited or Absent
Official Synopsis
Newly restored and assembled by the International Olympic Committee - the earliest comprehensive moving-image record of the modern Olympic Games that survives today.

1928

1938

1948

2016

1925

1935

1952

2005
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