The film contains no LGBTQ+ characters or explorations of non-heteronormative identities. It adheres to the conventional social structures of 1960s genre cinema.

Female characters, including an army of zombies, function primarily as instruments of the antagonist. They lack the agency to disrupt established masculine leadership roles.

The film excels by centering a Mexican cultural icon and a predominantly Mexican cast. It prioritizes local folklore and the Lucha Libre tradition over Anglo-centric narratives.

The story follows a traditional hero-versus-villain structure centered on moral heroism. It offers a localized perspective on science and justice outside the Western cinematic tradition.

Zombification and mental control are used as plot devices. These depictions treat altered states of being as sources of spectacle or threat rather than nuanced lived experiences.