The film lacks LGBTQ+ characters or narratives. It adheres to the traditional masculine archetypes common in the 1968 Lucha Libre action genre.

Male agency dominates the narrative through protagonists Santo and Jorge Rivero. Women appear in supporting roles, reinforcing traditional gender hierarchies and male-driven physical conflict.

The story centers Mexican protagonists as guardians of their own indigenous history. This disrupts colonialist tropes by positioning Mexican identity as the protector of its own legacy.

The film celebrates national identity and patriotism. It focuses on preserving cultural heritage rather than deconstructing Western institutions or promoting secularist themes.

There is no evidence of characters with visible or invisible disabilities being portrayed with agency or central importance to the plot.