
The Missouri Breaks
1976

Representation Score
Minimal
1980
RDirector
Walter Hill
Runtime
100 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Long Riders is a genre-standard Western that prioritizes historical archetypes and masculine-centric storytelling. It leans heavily into the traditional social structures of the late 19th century, resulting in a lack of multi-layered breadth. While the film lacks diversity in terms of gender, race, and sexuality, it offers a nuanced view of authority. By utilizing a morally relativistic framework, the story finds depth in characters operating outside of conventional societal structures. Ultimately, the film functions as a stylistic exploration of brotherhood, even as it remains rooted in a homogeneous and male-dominated framework.
Category Breakdown
The film maintains a strictly straight-centered structure, focusing on fraternal bonds without depicting same-sex intimacy or non-binary gender identities. There is no representation of LGBTQ+ individuals.
The narrative centers on a masculine hierarchy of camaraderie and violence. Women play secondary, peripheral roles that do not challenge traditional gender roles or provide a significant role in driving the story.
The cast is predominantly white, reflecting the historical demographic of the outlaw gang. The film maintains a traditional approach to the racial composition of its protagonists, with little diversity.
The film explores moral relativism by framing bank robbers through a sympathetic lens. It disrupts the law versus outlaw binary by prioritizing individualistic rebellion.
There are no prominent depictions of visible or invisible disabilities. Characters with disabilities are not utilized as central plot devices within the narrative.
Present on Screen
Limited or Absent
Official Synopsis
The origins, exploits and the ultimate fate of the James gang is told in a sympathetic portrayal of the bank robbers made up of brothers who begin their legendary bank raids because of revenge.

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